9780135299838 - The Late Baroque Era

The Late Baroque Era

The Late Baroque Era by Curtis Alexander Price is a comprehensive scholarly examination of the musical period spanning roughly from 1680 to 1750, offering readers an in-depth exploration of the artistic, cultural, and historical contexts that defined this transformative epoch in Western music. This meticulously researched volume delves into the intricate developments in composition, performance practices, and theoretical innovations that characterized the late Baroque, highlighting the works of seminal figures such as Johann Sebastian Bach, George Frideric Handel, and Antonio Vivaldi. Price's narrative weaves together detailed analyses of musical forms like the fugue, concerto grosso, and opera seria, while also addressing the socio-political influences of the time, including the patronage systems in courts and churches across Europe. The book provides vivid insights into the technological advancements in instrument making, such as the evolution of the harpsichord and violin, which profoundly shaped the sonic landscape of the era. Through engaging prose, Price elucidates how the late Baroque period served as a bridge between the Renaissance and Classical periods, emphasizing its role in establishing foundational principles of harmony, counterpoint, and emotional expression that continue to resonate in modern music. Readers will appreciate the inclusion of numerous musical examples, illustrations, and primary source references that enrich the text, making it an invaluable resource for students, musicians, and enthusiasts seeking a thorough understanding of this pivotal musical age. The author's expertise shines through in his balanced approach, blending academic rigor with accessible explanations to cater to both specialists and general audiences. By contextualizing the music within broader artistic movements, such as the visual arts and literature of the Baroque, Price offers a holistic view that underscores the interconnectedness of creative endeavors during this time. This book stands as a definitive guide, illuminating the complexities and beauties of the late Baroque era with clarity and passion, ultimately inspiring a deeper appreciation for its enduring legacy in the world of classical music.

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€9.95
GOED
Auteur Curtis Alexander Price
ISBN 9780135299838
Bindwijze Paperback
Tags music history classical music Baroque music Curtis Alexander Price academic reference

The Late Baroque Era by Curtis Alexander Price is widely regarded as an authoritative and insightful contribution to musicology, praised for its meticulous research and comprehensive coverage of the period from 1680 to 1750. One of its strongest points is Price's ability to synthesize complex historical and musical concepts into a coherent and engaging narrative, making it accessible to readers with varying levels of expertise. The book excels in its detailed analyses of key composers and their works, such as Bach's Brandenburg Concertos and Handel's Messiah, providing context that enhances understanding of their artistic significance. Additionally, the inclusion of visual aids, like maps and reproductions of period instruments, adds depth to the textual descriptions, aiding in visualization of the era's cultural milieu. However, some critics note that the dense academic tone may be challenging for casual readers, potentially limiting its appeal to a broader audience. Another weakness is the occasional overemphasis on European centers like Germany and Italy, with less attention given to peripheral regions or cross-cultural influences, which could offer a more global perspective. Despite this, Price's thorough examination of musical forms and performance practices is commendable, offering valuable insights into the technical aspects of Baroque composition. The book's structure, which progresses chronologically and thematically, helps readers trace the evolution of styles and innovations, though some may find certain sections overly detailed or repetitive. Overall, The Late Baroque Era is a highly recommended resource for anyone serious about studying this period, balancing scholarly depth with readability, and serving as an essential reference in the field of music history.

The Late Baroque Era by Curtis Alexander Price provides a detailed account of the musical developments from approximately 1680 to 1750, focusing on the works and influences of prominent composers like Johann Sebastian Bach, George Frideric Handel, and Antonio Vivaldi. The book begins by setting the historical and cultural stage, exploring how political changes, such as the rise of absolutist monarchies and the spread of Enlightenment ideas, shaped artistic expression during this period. Price then delves into the core musical forms of the era, including the fugue, suite, and oratorio, explaining their structural elements and emotional impacts through examples from key compositions. A significant portion of the narrative is dedicated to the technological advancements in instrument making, particularly the refinement of the harpsichord, organ, and string instruments, which enabled more complex and expressive performances. The author also examines the role of patronage, detailing how courts and churches across Europe commissioned works that reflected their power and piety, leading to a flourishing of sacred and secular music. Throughout the book, Price highlights the interplay between music and other arts, such as architecture and painting, illustrating the Baroque aesthetic of grandeur and drama. The summary concludes by discussing the legacy of the late Baroque era, noting its influence on subsequent musical periods and its enduring popularity in contemporary performances and recordings. By weaving together historical context, musical analysis, and cultural insights, Price offers a comprehensive overview that captures the essence of this transformative epoch in Western music history.